Tuesday, 30 September 2014

A Day for Patricia Crowther: Sunday 6th April 2014











It would be true to say that I have left my own Wiccan Roots behind and yes; there is a pun in that comment. Although Gardnerian Witchcraft influenced Paganism is where I began my journey and although I have changed to reach a point some twenty five years later, where the ‘Wiccanesque’ influence is very much reduced. It is where I began and it would be foolish to deny that a residual element remains within me. It would be equally foolish to ignore the fact that I and many others who are not Wiccan, have benefited enormously from the public acceptance that has resulted from members of the Gardnerian and Alexandrian Traditions going public.


So it was that on Sunday the 6th of April 2014, I travelled in to Nottingham to attend and to support an event of significance to the Pagan Community at large. A Day for Patricia Crowther was jointly organised by the Centre for Pagan Studies and the Doreen Valiente Foundation. The event was held to honour Patricia Crowther and to mark her remarkable contribution to the continued acceptance of alternative spiritualities. Mrs Crowther is a third degree Gardnerian High Priestess and as one of the last contemporaries of Old Gerald, an important link to that heady time when Wicca and by implication Paganism, stepped out of the shadows.


The day consisted primarily of four segmented talks. These included presentations by Vivianne & Chris Crowley, Rufus & Melissa Harrington, Philip Heselton and John Harper. These talks covered the history of Gardnerian Witchcraft, its contemporary influence, Mrs Crowthers’ own contribution and in the case of Mr Harper, a talk on magic and astronomy that was very well received by an appreciative Nottinghamshire audience.


The day also included a question and answer session with four experts or Craft Elders up on the stage, there to field questions from the massed audience. This section of the itinerary was led by John Belham-Payne, trustee and founder of the Centre for Pagan Studies. The panel acquitted themselves well presenting a highly professional image of Wicca, which was of a deeper and more spiritually meaningful variety than the pop-wicca presented to the public usually.


Unfortunately perhaps, not being Wiccan myself some of these experts were and remain, unknown to me. Their fame perhaps not extending far outside of the close knit community that is initiated Gardnerian Wicca or perhaps London. What is important however is that they presented a true and accurate image of that specific Craft Tradition. In the words of another, they were on the day true ambassadors for Wicca and highlighted the difference between Wicca proper and the wicca of the popular press and reality TV show.


The day was interspersed with short breaks and a longer lunch break. This allowed time for socialising with friends, making new friends and browsing the many quality stalls in the hall. I was surprised and indeed rather disconcerted, to find myself recognised by a few complete strangers. It is difficult to appreciate as a writer how many do read ones’ work, either in print or via this BLOG.


This unknown readership included on the day, a charming American gentleman called Al. This gentleman had with his endearing young son, travelled over especially for the event, making it part of a longer holiday. We enjoyed a brief chat in which he told me of his involvement with Mrs Crowther and a Youtube project based upon one of her books. He also rather astutely spotted an item of craft jewellery I was wearing, explaining that he knew the American silversmith that had made my specially commissioned piece.

TVEIR HRAFNAR: MAGICKAL TALISMANS CRAFTED BY HAND IN STERLING SILVER 

 In another room was a small exhibition of early Wiccan artefacts from the Doreen Valiente collection. This included what is by modern standards, a rather garish wand that once belonged to Gerald Gardner and a magnificent Book of Shadows written in his own hand. One item of particular note, shown to me by my friend Ashley Mortimer a Trustee of the Doreen Valiente Foundation, was a clay plate of an unknown age and provenance. The main upper part of which is completely plain, the underside however is clearly designed for use a pentacle. Truly it would be a secret hidden in plain sight, when placed unobtrusively in a cupboard.


The final part of the day was the appearance of the lady herself on stage, to answer questions, to entertain and to sing a spirited rendition of a Pagan version of Lord of the Dance. Mrs Crowther then drew the tombola or as she insisted it be called, the raffle. Mrs Crowther presented each and every winner of the raffle with their prize which she chose, before patiently signing autographs.

Ashley Mortimer, Patricia Croather and John Belham-Payne

In my opinion this event is likely to be remembered as one of the most important to take place in the East Midlands for a number of years. Furthermore, the Centre for Pagan Studies should be congratulated not only for their professionalism but for having the courage to hold an event of such import to the Pagan Community in Nottingham. As has been proved by other towns and cities such as; Derby (the Witan 2011), Glastonbury (The Hecate Symposium and the Occult Conference), Ludlow (the Occult Conference), Boscastle (various events associated with the Museum of Witchcraft) and Leeds (the Day of Mysteries and Magic), not every culturally significant event of import takes place in the English capital or indeed needs to.

Ashley Mortimer and the Chattering Magpie
Picture © J. Burton 2014

Some will no doubt overlook the significance of this event, noting that Patricia Crowther as a High Priestess of the Gardnerian Tradition, may not be an immediate source of inspiration for those outside of the more ‘wiccanesque’ influenced Pagan paths. This is a valid observation but does rather neglect the enormous contribution made by people such as Gerald Gardner, Doreen Valiente, Patricia Crowther, Alex Sanders and others to the growth and general acceptance of Paganism within Britain.




 Both the Gardnerian and Alexandrian Witchcraft Traditions, what today we may commonly refer to as Wicca, were following the repeal of the Witchcraft Act, of an enormous social interest during the 1950’s and 1960’s. This was a time when Britain faced continued internal sociological change after the Second World War and came to terms with the inevitable loss of a World Empire.



This event was not simply about Wicca and this event was not just for Wiccans. Far from it, this was a celebration of the life and contribution of Patricia Crowther and her generation to the Pagan Community at large.


A DAY FOR PATRICIA CROWTHER took place on Sunday 6th April 2014 Nottingham. The event was organised by the Centre for Pagan Studies and the Doreen Valiente Foundation and was held to honour the life and work of Mrs Crowther.

Details of the Centre for Pagan Studies and their work can be found here: http://centre-for-pagan-studies.com/

All images © D.B. Griffith 2014 unless otherwise stated.

Images may not be reproduced without permission of the photographer or that of the CfPS and the DVF.

My own tombola or raffle prize



YORKSHIRE HOSPITALITY


On 25th of February this year (2014), I journeyed to Leeds to attend a lecture at the Morley Moot held in the Labour Rooms, on Commercial Street in Morley, which is just outside of Leeds itself. The talk was advertised as the Tools of Traditional Witchcraft and was to be presented by Alan Millar (formally Craw).

I have had the pleasure of meeting Mr Millar before but the last time was in 2011. At that time I was the lead organiser of an East Midlands Pagan Federation event at the Guildhall in Derby city centre. The event was called the Derby Witan and was a Saturday event. The event consisted of a series of four semi-academic style lectures with a supporting market. The speakers included Shani Oates, Anna Franklin, Glennie Kindred and one single gentleman speaker, Alan Millar.



















Alan Millar is the Magister of the Milesian Order of Clanna Gadelus, a Traditional Cuveen based in Yorkshire and a fellow Knight of the Loyal Arthurian Warband. He is a writer, public speaker, music producer and founder of the Witchcraft Research Network, with a long and extensive history of involvement in the Pagan and Craft community.

Unfortunately being rather busy with backstage business, front of house and other organisational duties at the Witan; I like most of the event staff, missed the majority of the lectures, including part of the opening presentation by Mr Craw. So the opportunity to hear the complete lecture and visit friends in the Leeds area, proved too great a temptation.











The train journey to Leeds was far from onerous and I have visited Leeds, a vibrant energetic city, before. Changing trains at Leeds was not too difficult, although I did have a moment of confusion in attempting to identify the correct platform for the Morley train. Alighting in the afternoon sun at the station in Morley, I found it an old style open air platform. A steep flight of stone steps led up from the station to the streets above the railway tunnel, a magnificent example of Victorian engineering.

Checking direction with a local resident as I left the top of the climb, I was directed towards the town centre. I found Morley, even in the centre an exceptionally quiet place. Perhaps Tuesdays are early closing days but the centre was far from busy and I may add; the majority of the shops were closed. It was like walking through a ghost town.

The people of Morley however, were exceptional friendly. After first asking direction from the young woman near the station, I had been pointed in the direction of the town centre. There a young man was able to confirm my course and I set off towards Fountain Street. Making my way along that road with my bag, I stumbled upon Al’s Food Fountain, a small cafe just up the hill from the local school. Here I stopped for a cup of tea (not actually Yorkshire) and checked my map. Alan the proprietor noticed this and asked where I was heading. On learning that my destination was the Travelodge on the corner of Bruntcliffe Road and Bruntcliffe Way, he kindly offered to drop me there as it was on his way home. The friendliness of the Yorkshire folk was beginning to impress.

On my arrival the staff at the Travelodge proved to be equally friendly and helpful. Guiding me as they did to the carvery next door for my early evening meal and although a carvery, they in turn were able to provide an excellent vegetarian alternative.

Later in the evening, whilst waiting in the hotel lobby for a taxi to take me to the Morley Moot itself, it was my turn to play the helpful Samaritan. A gentleman came in asking for directions to the Morley Hayes Hotel, help in this matter the hotel staff were unable to give. Overhearing the conversation I made myself known, asking for clarification. I pointed out that there is a Morley Hayes Hotel near Derby and that I live between Derby and Nottingham.

Checking his written directions the gentleman discovered that on seeing the motorway sign for Morley near Leeds, he had exited the motorway prematurely and did indeed want Morley Village near Derby. If I had not been present he would have spent a long time travelling in circles around Leeds, looking for a non-existent hotel and missed his meeting. It was an amazing chance meeting.

On my arrival at the Morley Moot I met up with my friends Vicky Newton and Shullie Porter, eventually being introduced to the organiser of the Moot, Mr David Speight himself. We joined Alan in the main hall only briefly, to examine his display of items before taking our seats for his lecture.

Alan seemed rather pleased with the turnout and equally pleased to discover, that some had travelled a considerable distance to hear him speak. Myself included obviously. Alan presented a brief outline of Traditionalist Working Tools, from the blade (not an athame) to the Stang. Occasionally having to take a step back to clarify a point or as right at the start, to explain who Robert Cochrane was for those not familiar with the non-wiccan craft.

There were several points of interest that I felt could have been explored further under the right circumstance, quite possibly as separate lectures. These points arose primarily via questions triggered by the content of the main lecture. One of the areas that in particular, I would have liked to have seen expanded upon, is the influence of Robert Cochrane on the modern Traditional Craft movement.

A second point, that is far too deep to be explored in a casual manner as a side issue at a moot, being the similarities and differences between the egregore and the tutelary deity of a Clan.

A third area suitable for further exploration would be in my opinion, the practical use of the Witch Bottle. Another area of fascination, only briefly touched upon at the moot, is the significance of horseshoes and blacksmith lore within the Traditional Craft.

The evening was educational, stimulating and thoroughly enjoyable. All the more so for giving me the opportunity to meet my Yorkshire friends once more, who I joined briefly in the pub afterwards whilst waiting for them to leave for home.

Mr Millar will be speaking at the Day of Mysteries and Magic 2 in Leeds proper, on Saturday the 25th October 2014. It is an event I am looking forward to attending and details of the day can be found below. I am very pleased to learn that Mr Millar’s contribution to the event is a lecture entitled, ‘Forefathers of Modern Witchcraft Movement the lesser known developers of the modern craft.’



















Useful websites

The Witchcraft Research Network (Traditional Witchcraft Research Network).



The Day of Mysteries and Magic 2.



Points raised in this talk are discussed further in these two other BLOG posts.


The Tools of Traditional Witchcraft - a talk by Alan Craw



Egregores and Bronze Age Mummies



The Day of Mysteries and Magic 2
Saturday 25th October 2014 from 12 noon to 6pm
The Swarthmore Centre Leeds
£7.50 on the door

Steve Jones: Masonic Wicca the links between Freemasonry and Wicca

Alan Craw: Forefathers of Modern Witchcraft Movement the lesser known developers of the modern craft.

Kai Roberts: Grave Concerns the history, folklore and controversies of the grave of Robin Hood.

Tony Chapman: Further into his paranormal world and investigations.

Paul Bennett: Animism, Paganism, & the Nature of Prehistoric Rock Art, an illustrated look at sacred sites known and unknown in West Yorkshire.